Guns N' Roses/Helmet/Sebastian
Bach/Suicide Girls/Modern Day Zero
(12/01/06)
Hilton Coliseum - Ames, Iowa
Seeing Guns N’ Roses in concert in 2006 is exactly
what you would expect from the band at this point – a
long wait with little delivery. Years ago, Axl Rose told
us “All you need is just a little patience.” Well,
the patience of the fans he has left is wearing thin and
now that I’ve attended one of their shows, I can now
say my own patience is pretty much gone.

Even since the days of the classic GN’R lineup, they’ve
been notoriously late for their own concerts. Legend has
it that after making their fans wait for hours, they would
give them a blistering marathon set or a trainwreck - either
way it was an event to remember. Obviously, the classic lineup
is no more but the original members aren’t the only
things absent nowadays. While Guns N’ Roses used to
define the term “rock n’ roll bad boys,” they’re
little more than just “bad rock n’ roll” in
2006.
So while I was aware that a GN’R concert would involve
waiting, I didn’t expect to be as let down by the entire
event as I was. It was advertised that Sebastian Bach would
open as well as The Suicide Girls, who’ve expanded
their internet “altporn” empire into a touring
burlesque show. The Eagles of Death Metal were also set to
play but left the tour, telling Axl Rose to “go fuck
himself,” and were replaced by Helmet.
I arrived right at 8:00 when the ticket said the doors would
open. I assumed Sebastian Bach would have an early slot and
he was the only opening act I was interested in seeing (Slave
to the Grind rocks balls, dudes). A few minutes after I got
to my seat, the show started and I was impressed that it
was already getting under way. Bach didn’t perform
first, but rather The Suicide Girls; it worked out better
for me since I was glad to get their act out of the way.
(And actually they weren’t even the first act of the
night – some band called Modern Day Zero played first.
Whatever.)
I like naked chicks. I thought several of The Suicide Girls
were gorgeous and was impressed by their nudity. What I’m
not terribly interested in is watching seminude dancers either
100 feet away or on a Jumbotron screen. It’s not the
fault of the performers – I just don’t think
burlesque is something that translates all that well in an
arena setting. They did their best to entertain and at this
point of the night (foreshadowing!), their attempts were
appreciated by the audience.
One of the most unexpected events of the night was the performance
by Sebastian Bach. I expected a competent but lackluster
performance but I was totally floored. Bach was actually
everything I expected from GN’R - a guy out to prove
something, intent on giving the audience a performance like
it was his last.
Oh man, and what a wacky dude. Bach provided some of the
best one-liners I’ve ever heard from a frontman - “If
Uncle Ted [Nugent] can go out and kill baby animals, I can
have a fucking drink, right?” “[Pointing to a
couple in the front row] Ladies and gentlemen, Axl’s
parents are here! How come you don’t have red hair?” “Hold
up your cell phones and put a video on YouTube!” And
my favorite: “Duuude. On four!”
That last one was Sebastian talking to the drummer after
the band fucked up the intro to “Livin’ On a
Chain Gang” several times. That part of it wasn’t
unprofressional; it was actually really amusing to watch
a band work out their kinks on stage. What was unprofessional
was the reason why they were playing that song in the first
place. Before the ubiquitous “I Remember You,” Bach
said “We got two more songs for ya!” After that
song and a brief talk with someone backstage he said, “We’re
going to play a couple more for ya!” It was obvious
at that point that it was going to be a long time before
the headliners would take the stage. An uncertainty hung
in the air; this was the first Guns show after a week of
cancellations due to illness.
Helmet doesn’t have much in common with Guns N’ Roses
musically but career-wise they have one glaring similarity:
Only one original member. Perhaps that’s why they were
chosen; I can’t think of a single other reason why
they would be opening for Guns N’ Roses. Even when
they were at their peak, they were never a band designed
for such a venue. On CD, they’re a tight unit; in a
15,000 seat arena they’re reduced to little more than
white noise. Not that being an opening act on an arena tour
is Helmet’s only problem. The distinct drumming of
John Stanier, the backbone of the classic Helmet sound, is
now gone and since their “reunion,” they’ve
put out two completely abysmal records. I couldn’t
have been more bored by their performance and judging from
their boos, the audience felt the same way.
The last chord of Helmet’s “In the Meantime” rang
out at 11:15 and the band exited the stage. According to
reports from the previous shows of this tour, GN’R
have been regularly taking the stage around 11:30 or 11:45.
When The Suicide Girls came back on at midnight, the crowd
started to express their discontentment more intensely than
they had with Helmet. My response at the time was “Now
I know why they’re called The Suicide Girls - having
them go back on stage is a suicide mission.” I had
never seen anything like it before. The same audience that
hooted approval at their bared breasts 4 hours ago were now
about ready to tear them apart. Between each routine, a loud
wave of boos filled the arena. One dancer spat beer on the
crowd, flipped them the bird, and walked off. If their position
on this tour is to take abuse from an audience pissed off
at Axl Rose, I really feel bad for them.
Once The Suicide Girls finished for the second time, chants
of “Bullshit! Bullshit!” were scattered among
the boos. While I used to think it was kind of funny that
Axl Rose had built a reputation for himself as an ill-tempered
prick, I now think it’s kind of sad. No one had any
idea if there was even going to be a Guns N’ Roses
concert and it was after midnight. A cancellation at that
point would not have been unexpected; what used to be petulant
rock star behavior is now a well-known joke.
But Guns took the stage as promised. The lights went down,
guitarist Robin Finck plucked the opening notes to “Welcome
to the Jungle,” and then the man everyone was there
to see took the stage - Axl Rose. “Do you know where
the fuck you are???” Axl didn’t wait for my answer
- “I’m in Ames, Iowa, waiting for you to get
your deadbeat ass on the fucking stage.”
Was it a blistering performance or even a trainwreck? It
was neither. It was actually kind of dull, not at all helped
by four different members of the band each having their own
solo. They played all the songs you would expect, including
five off their allegedly forthcoming album, Chinese Democracy.
The audience that roared when they first hit the stage grew
weary with each song. I looked around at the half full arena
and wondered about who their audience will be once the hype
dies down. Sooner or later, Chinese Democracy is going to
be released and the new band will no longer be a curiosity
anymore. The hardcore fans will remain, but who else? Who's
going to show up the next time they play Hilton Coliseum,
knowing that after four and half hours of waiting, all they’re
going to get is a mediocre show and a glimpse at an aging
primadonna?
The future looks bleak for Guns N’ Roses.

- Alan Smithee |